Today one of the most highly respected string quartets, the Belcea were established in 1994 at the Royal College of Music in London and studied with the Chilingirian, the Amadeus, and later the Alban Berg quartets. They recorded for EMI Classics across nearly a decade, between 2000 and 2009, bToday one of the most highly respected string quartets, the Belcea were established in 1994 at the Royal College of Music in London and studied with the Chilingirian, the Amadeus, and later the Alban Berg quartets. They recorded for EMI Classics across nearly a decade, between 2000 and 2009, bringing about tremendous versions of quartets by Schubert, Britten, Bartók, and Mozart, to name a few."The Belcea Quartet throw every fibre of their beings into the most vivid projection of the masterpieces they undertake." - The Independent"These recordings form a crucial part of our life as a quartet and we hope that over the ensuing years they haven't lost their freshness and sense of adventure." - Krzysztof Chorzelski, violist of the Belcea Quartet
Track Listings
Disc: 1
1 | String Quartet in G Minor, Op 10, CD 91, L 85: I Anime et tres decide |
2 | String Quartet in G Minor, Op 10, CD 91, L 85: II Assez vif et bien rythme |
3 | String Quartet in G Minor, Op. 10, CD 91, L. 85: III. Andantino. Doucement expressif |
4 | String Quartet in G Minor, Op 10, CD 91, L 85: IV Tres modere - Tres mouvemente et avec passion |
5 | Ainsi la nuit: Libre et souple |
6 | Ainsi la nuit: I. Nocturne |
7 | Ainsi la nuit: Parenthese 1 |
8 | Ainsi la nuit: II. Miroir d'espace |
9 | Ainsi la nuit: Parenthese 2 |
10 | Ainsi la nuit: III. Litanies |
11 | Ainsi la nuit: Parenthese 3 |
12 | Ainsi la nuit: IV. Litanies 2 |
13 | Ainsi la nuit: Parenthese 4 |
14 | Ainsi la nuit: V. Constellations |
15 | Ainsi la nuit: VI. Nocturne 2 |
16 | Ainsi la nuit: VII. Temps suspendu |
17 | String Quartet, M 35: I Allegro moderato - Tres doux |
18 | String Quartet, M 35: II Assez vif - Tres rythme |
19 | String Quartet, M 35: III Tres lent |
20 | String Quartet, M 35: IV Vif et agite |
Disc: 2
1 | String Quartet No. 13 in A Minor, Op. 29, D. 804 "Rosamunde": I. Allegro ma non troppo |
2 | String Quartet No. 13 in A Minor, Op. 29, D. 804 "Rosamunde": II. Andante |
3 | String Quartet No. 13 in A Minor, Op. 29, D. 804 "Rosamunde": III. Menuetto. Allegretto - Trio |
4 | String Quartet No. 13 in A Minor, Op. 29, D. 804 "Rosamunde": IV. Allegro moderato |
5 | String Quartet No. 12 in C Minor, D. 703 "Quartettsatz" |
6 | String Quartet No. 10 in E-Flat Major, Op. Posth. 125 No. 1, D. 87: I. Allegro moderato |
7 | String Quartet No. 10 in E-Flat Major, Op. Posth. 125 No. 1, D. 87: II. Scherzo. Prestissimo - Trio |
8 | String Quartet No. 10 in E-Flat Major, Op. Posth. 125 No. 1, D. 87: III. Adagio |
9 | String Quartet No. 10 in E-Flat Major, Op. Posth. 125 No. 1, D. 87: IV. Allegro |
Disc: 3
1 | String Quartet No. 1 in C Minor, Op. 51 No. 1: I. Allegro |
2 | String Quartet No. 1 in C Minor, Op. 51 No. 1: II. Romanze. Poco adagio |
3 | String Quartet No. 1 in C Minor, Op. 51 No. 1: III. Allegretto molto moderato e comodo |
4 | String Quartet No. 1 in C Minor, Op. 51 No. 1: IV. Allegro |
5 | String Quintet No. 2 in G Major, Op. 111: I. Allegro non troppo, ma con brio |
6 | String Quintet No. 2 in G Major, Op. 111: II. Adagio |
7 | String Quintet No. 2 in G Major, Op. 111: III. Un poco Allegretto |
8 | String Quintet No. 2 in G Major, Op. 111: IV. Vivace ma non troppo presto |
Disc: 4
1 | String Quartet No. 1 in D Major, Op. 25: I. Andante sostenuto - Allegro vivo |
2 | String Quartet No. 1 in D Major, Op. 25: II. Allegro con slancio |
3 | String Quartet No. 1 in D Major, Op. 25: III. Andante calmo |
4 | String Quartet No. 1 in D Major, Op. 25: IV. Molto vivace |
5 | String Quartet No. 2 in C Major, Op. 36: I. Allegro calmo senza rigore |
6 | String Quartet No. 2 in C Major, Op. 36: II. Vivace |
7 | String Quartet No. 2 in C Major, Op. 36: III. Chacony |
8 | 3 Divertimenti: No. 1, March |
9 | 3 Divertimenti: No. 2, Waltz |
10 | 3 Divertimenti: No. 3, Burlesque |
Disc: 5
1 | String Quartet No. 3 in G Major, Op. 94: I. Duets |
2 | String Quartet No. 3 in G Major, Op. 94: II. Ostinato |
3 | String Quartet No. 3 in G Major, Op. 94: III. Solo |
4 | String Quartet No. 3 in G Major, Op. 94: IV. Burlesque |
5 | String Quartet No. 3 in G Major, Op. 94: V. Recitative and Passacaglia |
6 | La bonne chanson, Op 61: No 1, Une sainte en son aureole (Version for Voice, Piano and String Quintet) - Ian Bostridge, Julius Drake, Belcea Quartet & Leon Bosch |
7 | La bonne chanson, Op. 61: No. 2, Puisque l'arbre grandit (Version for Voice, Piano and String Quintet) - Ian Bostridge, Julius Drake, Belcea Quartet & Leon Bosch |
8 | La bonne chanson, Op. 61: No. 3, La lune blanche luit dans les bois (Version for Voice, Piano and String Quintet) - Ian Bostridge, Julius Drake, Belcea Quartet & Leon Bosch |
9 | La bonne chanson, Op. 61: No. 4, J'allais par des chemins perfides (Version for Voice, Piano and String Quintet) - Ian Bostridge, Julius Drake, Belcea Quartet & Leon Bosch |
10 | La bonne chanson, Op 61: No 5, J'ai presque peur, en verite (Version for Voice, Piano and String Quintet) - Ian Bostridge, Julius Drake, Belcea Quartet & Leon Bosch |
11 | La bonne chanson, Op. 61: No. 6, Avant que tu ne t'en ailles (Version for Voice, Piano and String Quintet) - Ian Bostridge, Julius Drake, Belcea Quartet & Leon Bosch |
12 | La bonne chanson, Op 61: No 7, Donc, ce sera par un clair jour d'ete (Version for Voice, Piano and String Quintet) - Ian Bostridge, Julius Drake, Belcea Quartet & Leon Bosch |
13 | La bonne chanson, Op. 61: No. 8, N'est-ce pas ? (Version for Voice, Piano and String Quintet) - Ian Bostridge, Julius Drake, Belcea Quartet & Leon Bosch |
14 | La bonne chanson, Op 61: No 9, L'hiver a cesse (Version for Voice, Piano and String Quintet) - Ian Bostridge, Julius Drake, Belcea Quartet & Leon Bosch |
15 | Dover Beach, Op. 3 - Jonathan Lemalu |
16 | Love Blows As the Wind Blows: I. In the Year That's Come and Gone - Jonathan Lemalu |
17 | Love Blows As the Wind Blows: II. Life in Her Creaking Shoes - Jonathan Lemalu |
18 | Love Blows As the Wind Blows: III. Fill a Glass With Golden Wine - Jonathan Lemalu |
19 | Love Blows As the Wind Blows: IV. On the Way to Kew - Jonathan Lemalu |
Disc: 6
1 | Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": I. Allegro vivace |
2 | Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": II. Andante |
3 | Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": III. Scherzo. Presto |
4 | Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": IV. (a) Thema. Andantino |
5 | Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": IV. (b) Variation I |
6 | Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": IV. (c) Variation II |
7 | Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": IV. (d) Variation III |
8 | Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": IV. (e) Variation IV |
9 | Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": IV. (f) Variation V |
10 | Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": IV. (g) Thema. Allegretto |
11 | Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": V. Finale. Allegro giusto |
Disc: 7
1 | String Quartet No. 19 in C Major, Op. 10 No. 6, K. 465 "Dissonance": I. Adagio - Allegro |
2 | String Quartet No. 19 in C Major, Op. 10 No. 6, K. 465 "Dissonance": II. Andante cantabile |
3 | String Quartet No. 19 in C Major, Op. 10 No. 6, K. 465 "Dissonance": III. Menuetto. Allegro |
4 | String Quartet No. 19 in C Major, Op. 10 No. 6, K. 465 "Dissonance": IV. Allegro |
5 | String Quartet No. 20 in D Major, K. 499 "Hoffmeister": I. Allegretto |
6 | String Quartet No. 20 in D Major, K. 499 "Hoffmeister": II. Menuetto. Allegretto |
7 | String Quartet No. 20 in D Major, K. 499 "Hoffmeister": III. Adagio |
8 | String Quartet No. 20 in D Major, K. 499 "Hoffmeister": IV. Allegro |
Disc: 8
1 | String Quartet No. 1 in A Minor, Op. 7, Sz. 40: I. Lento |
2 | String Quartet No. 1 in A Minor, Op. 7, Sz. 40: II. Allegretto |
3 | String Quartet No. 1 in A Minor, Op. 7, Sz. 40: III. Allegro vivace |
4 | String Quartet No. 3 in C-Sharp Minor, Sz. 85: I. Prima parte. Moderato |
5 | String Quartet No. 3 in C-Sharp Minor, Sz. 85: II. Seconda parte. Allegro |
6 | String Quartet No. 3 in C-Sharp Minor, Sz. 85: III. Ricapitulazione della prima parte. Moderato & IV. Coda. Allegro molto |
7 | String Quartet No. 5 in B-Flat Major, Sz. 102: I. Allegro |
8 | String Quartet No. 5 in B-Flat Major, Sz. 102: II. Adagio molto |
9 | String Quartet No. 5 in B-Flat Major, Sz. 102: III. Scherzo. Alla bulgarese - Trio |
10 | String Quartet No. 5 in B-Flat Major, Sz. 102: IV. Andante |
11 | String Quartet No. 5 in B-Flat Major, Sz. 102: V. Finale. Allegro vivace - Presto |
Disc: 9
1 | String Quartet No. 2 in A Minor, Op. 17, Sz. 67: I. Moderato |
2 | String Quartet No. 2 in A Minor, Op. 17, Sz. 67: II. Allegro molto capriccioso |
3 | String Quartet No. 2 in A Minor, Op. 17, Sz. 67: III. Lento |
4 | String Quartet No. 4 in C Major, Sz. 91: I. Allegro |
5 | String Quartet No. 4 in C Major, Sz. 91: II. Prestissimo, con sordino |
6 | String Quartet No. 4 in C Major, Sz. 91: III. Non troppo lento |
7 | String Quartet No. 4 in C Major, Sz. 91: IV. Allegretto pizzicato |
8 | String Quartet No. 4 in C Major, Sz. 91: V. Allegro molto |
9 | String Quartet No. 6 in D Major, Sz. 114: I. Mesto - Vivace |
10 | String Quartet No. 6 in D Major, Sz. 114: II. Mesto - Marcia |
11 | String Quartet No. 6 in D Major, Sz. 114: III. Mesto - Burletta. Moderato |
12 | String Quartet No. 6 in D Major, Sz. 114: IV. Mesto |
Disc: 10
1 | String Quintet in C Major, Op. 163, D. 956: I. Allegro ma non troppo |
2 | String Quintet in C Major, Op. 163, D. 956: II. Adagio |
3 | String Quintet in C Major, Op. 163, D. 956: III. Scherzo. Presto - Trio. Andante sostenuto |
4 | String Quintet in C Major, Op 163, D 956: IV Allegretto - Piu allegro |
5 | String Quartet No. 15 in G Major, Op. Posth. 161, D. 887: I. Allegro molto moderato |
Disc: 11
1 | String Quartet No. 15 in G Major, Op. Posth. 161, D. 887: II. Andante un poco moto |
2 | String Quartet No. 15 in G Major, Op. Posth. 161, D. 887: III. Scherzo. Allegro vivace - Trio. Allegretto |
3 | String Quartet No. 15 in G Major, Op. Posth. 161, D. 887: IV. Allegro assai |
4 | String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": I. Allegro |
5 | String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto |
6 | String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": III. Scherzo. Allegro molto - Trio |
7 | String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": IV. Presto |
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Excellent...as always
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Happy as always especially with the protector
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Great collection of Angelic Upstarts Albums.
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Great looking models
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Dreamboats & Petticoats - Bringing On Back The Good Times! [Audio CD]
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When it comes to video games, few have the power to redefine your perception of entertainment, purpose, and even life itself. For me, Car Transport Simulator was that game. It's not just a game; it's a revolutionary experience that forever altered my outlook on life and gaming. Here’s why Car Transport Simulator is, unequivocally, the best game that will ever exist and how it profoundly changed me.
Immersive Realism
From the moment I launched Car Transport Simulator, I was transported into a world that felt remarkably real. The attention to detail is unparalleled. The meticulously designed vehicles, the authentic sound effects, the dynamic weather systems, and the lifelike environments all contribute to an immersive experience. The developers have gone to great lengths to ensure that every aspect of the game mirrors real-life car transport logistics. The physics of driving, the complexities of loading and unloading vehicles, and even the challenges of navigating through traffic and adverse weather conditions are rendered with astonishing accuracy.
Emotional Engagement
What sets Car Transport Simulator apart from other simulation games is its ability to evoke deep emotional responses. Each task, from the simplest car pickup to the most complicated cross-country transport, carries a sense of purpose and responsibility. The game’s narrative structure, which includes personal stories of the characters whose cars you're transporting, adds layers of emotional depth. I found myself not just playing a game, but living out stories, feeling the weight of my actions and decisions.
Educational Value
Beyond entertainment, Car Transport Simulator is a profound educational tool. It offers insights into the logistics and transportation industry, providing a detailed look at how car transport companies operate. I learned about the different types of transport trucks, the intricacies of route planning, and the economic aspects of vehicle logistics. This newfound knowledge extended beyond the game, sparking an interest in logistics and transport management in the real world.
Life Skills Development
Playing Car Transport Simulator honed various life skills that I hadn’t fully appreciated before. Time management became crucial as I juggled multiple transport jobs, each with its deadlines. Strategic planning was necessary to optimize routes and fuel usage. Attention to detail was essential in ensuring the safe loading and unloading of vehicles. These skills translated into my daily life, making me more organized, efficient, and attentive.
Community and Connection
The game’s online community is another aspect that made it life-changing. I connected with players from around the globe, sharing tips, strategies, and stories. The camaraderie and support within the community are unparalleled. We celebrated each other’s successes and offered help during challenging missions. This sense of belonging and mutual support enriched my gaming experience and fostered meaningful friendships.
Personal Growth
On a personal level, Car Transport Simulator became a source of solace and growth. During difficult times, the game provided a much-needed escape, allowing me to immerse myself in a world where I had control and a clear sense of purpose. The challenges I overcame in the game boosted my confidence and resilience. Achieving milestones and completing complex transport missions gave me a sense of accomplishment that spilled over into my real life.
Endless Replayability
The game’s depth and complexity ensure endless replayability. With numerous vehicles to transport, varied routes, dynamic weather conditions, and the ever-evolving challenges of the logistics industry, no two gameplay sessions are the same. The developers regularly update the game with new content, keeping it fresh and exciting. This continual evolution ensures that Car Transport Simulator remains engaging, providing countless hours of entertainment and learning.
Conclusion: A Game that Changed My Life
In summary, Car Transport Simulator is more than just a game. It is a life-altering experience that combines immersive realism, emotional engagement, educational value, skill development, community connection, personal growth, and endless replayability. It has redefined my perception of what a video game can be, transforming it from a mere pastime to a profound and enriching journey. The impact it has had on my life is immeasurable, making it, without a doubt, the best game that will ever exist.
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Quality record, well packaged and good communication
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Dreamboats & Petticoats Presents: Three Steps to Heaven [Audio CD]
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Great cd certainly brought back many happy memories
Thank you
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Obviously not played the Christmas CD yet but will look forward to doing so.
Interesting item with an excellent price & service. A+++++
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Looks fab, great funko for the collection.
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Shopped around and couldn’t find a better price anywhere thanks to the Yachew sale!
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